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Continuing to explore Scandinavian specialties on the list of dishes could not miss the Danish Vitus, which this year put on (highly successful) cooperation with a local, strictly high-end player, i.e. Göbel, so that in their room you could hear what can be heard by the A-class monoblocks SM-025 majestic Divin Noblesse.
Interestingly, Göbel himself, from innate modesty, or perhaps perfidy, at least in the MOC, “exhibited” himself exaggeratedly modestly bringing almost monitor Divin Comtesse cooperating with the Italian electronics Riviera Audio Labs and in accordance with the long-standing analog tradition of the source of Kronos.
However, he would be wrong to think that this modesty and saving of form resulted from laziness, or the mere desire to “return” the last edition of the exhibition, because it was only about consciously awakening the appetite by the fact that it was still at most in the realm of the dream of the golden-faced brothers of the appetizer. The main course had to wait until the end of Thursday’s opening hours of the exhibition, in order to have an appropriate invitation to go to the three-quarters of a bus ride from the Göbel High End headquarters located only three quarters of the bus ride from the Göbel High End. And there … there were two systems waiting for us to be parted to the limits of decency, and maybe even beyond them, systems – the main one with the monstrous Divin Majestic, assisted by additionally speaking only under 40 Hz bass modules, and the second – for the “ordinary” people from Divin Comtesse.
Returning to the above-mentioned flagships, they stood in a dedicated listening 115 meters, with a height of 3m, acoustically adapted hall and cooperated with the stereo power amplifier Vitus MP-S201. Effect? Well, most of the very many guests who came at the invitation of Olivier decided that even if a visit to Landshut were to be the only reason to visit Germany for sometimes half the world, it would be worth it anyway. In short, it can be safely considered that it was the sound of this year’s (and not only) High End.
